Prairie
I rode into the town where I currently live for the first time in the spring of 2000 for my job interview. I wanted to put Phoenix behind me. I’d gone there in love with the desert, and I still dream that landscape—the path I hiked every day in my last year there to the top of South Mountain, the rattlesnake’s tail-drumming, the ocotillo’s bright yellow blossoms, the feeling of being always on the edge. And I was on the edge in every way—the only safe place I had was that path, those walks—I needed to get out. And so, of course, I fell in love with the flat nothingness immediately. The prairie didn’t feel like nothingness—after the mountainous, hot, suffocating desert, the prairie felt open and new and alive, but I wasn’t really seeing it. I saw pieces of the landscape—the corn’s floppy ears, the purple coneflowers straining their one-eyed, wild-haired faces toward the sun, the wetland’s pimpled-green, stagnant surface. If I had an eye at all when I arrived, it wasn’t a ...